Tag Archives: Hello Stranger song

“Noteworthy Ladies”
Selected Stories: 1910s-2010s

Famous Women

“The Flying Flapper”

1920s-1930s

Daredevil aviatrix, Elinor
Smith, set flying records;
flew beneath NY bridges.

Annals of Music

“Joni’s Music”

1962-2000s

Singer-songwriter
Joni Mitchell’s
amazing career.

 Music for The Ages

“Let The River Run”

1988-1989

Carly Simon’s rousing song
from Working Girl film
inspires listeners.

Ladies of Rock

“Motown’s Heat Wave”

1963-1967

Martha & The Vandellas’
dance tune captures teens
& boosts Motown.

Silent Film Star

“Pearl White”

1910s-1920s

A daredevil heroine
of the silent screen
becomes a big star.

The First Film Star

“A Star Is Born”

1910s

Early film studios create
the first movie star,
Florence Lawrence.

Female-Powered Music

“White Rabbit”

Grace Slick: 1960s

Jefferson Airplane song
propelled group; lyrics
drew political fire.

First Lady History

“Jackie & The Twist”

1960s Dance

Jackie Kennedy helped
bring new dance to the
White House & nation.

Campaign TV Ad

“Endorsing Jimmy Carter”

Mary Tyler Moore: 1980

TV star gives a strong
womens’ pitch for re-
electing President Carter.

Single Women TV

“Mary Tyler Moore”

1950s-2010s

Her 1970s TV show
helped put women in a
new independent light.

1950s’ TV Icon

“Dinah Shore & Chevy”

1951-1963

“See-the-USA” ad jingle
defines a TV celebrity &
America’s car culture.

Women’s Rights Icon

“Rosie The Riveter”

1942-1945

A WWII-era image
becomes an icon
for the ages.

Ladies of Rock

“Joplin’s Shooting Star”

1966-1970

Janis Joplin’s last
five years; her music,
life, and legacy.

Music & Advertising

“Selling Janis Joplin”

1995

How Mercedes-Benz
used a Janis Joplin tune to
pitch baby boomers.

Publishing, Politics, Ecology

“Power in the Pen”

1962-1963

Rachel Carson’s book, Silent
Spring, takes on pesticides;
spurs environmental cause.

Magazine Cover Girl

“One Good Shot…”

2011-2012

A Gisele Bündchen cover
photo has repeated use
around the world.

Music, Film, Celebrity

“Bette Davis Eyes”

1981

A top song of the 1980s
tells the story of a
Hollywood legend.

Music & Advertising

“Madonna’s Pepsi Ad”

1989

A Madonna TV ad
stirs controversy
by association.

Annals of Music

“1960s Girl Groups”

1958-1966

The innocent & upbeat
sound that came between
Elvis & The Beatles.

Music & Biography

“Be My Baby”

1960s-2010

The Ronettes & Phil Spector produce a game-
changing new sound.

Annals of Sport

“1930s Super Girl”

Babe Didrikson

When it came to athletics,
there was little that Babe
Didrikson couldn’t do.

Music & Advertising

“Keira & The Zombies”

2014 & The 1960s

A Chanel perfume ad
features Keira Knightley
& a 1960s Zombies’ tune.

TV, Culture & Business

“CBS Loved Lucy”

1950s-1970s

Over 3 decades, Lucille
Ball kept CBS-TV on top
and in the money.

TV & Publishing

“Lucy & TV Guide”

1953-2013

“I Love Lucy” enriched
Walter Annenberg as they
popularized TV culture.

Music & Biography

“Taylor Swift, Rising”

2003-2009

A 19-yr-old singer/
songwriter storms the
music charts …and more.

Annals of Music

“The End of The World”

1963

Skeeter Davis sings
a sad song of
unbearable loss.

Music & Advertising

“Google & Gaga”

2011

Lady Gaga’s hit song,
“The Edge of Glory,” is
used in a Google TV ad.

Singing & Acting

“Streisand Rising”

1961-1965

A young girl from Brooklyn
aims at Manhattan and
becomes a music icon.

In Memorium

“Candle in the Wind”

1973 & 1997

Elton John honors the
memory of Marilyn Monroe
and Princess Diana.

Film Celebrity

“Anna Q. Nilsson”

1920

The story behind a 1920
Photoplay cover girl
& silent film star.

Film Star & Activist

“Mia’s Metamorphoses”

1966-2010

Mia Farrow’s life changes:
actress-to-activist
& using her fame.

Lady Sings The Blues

“Strange Fruit”

1939

Billie Holiday sings
a haunting song and
has a troubled life.

College Romance

“The Love Story Saga”

1970-1977

Ali MacGraw’s fresh-faced
coed, Jenny Cavilleri, swept
the nation off its feet.

Love & Loyalty

“Of Bridges & Lovers”

1992-1995

A best-selling love story
comes to the Big Screen
starring Meryl Streep.

Hollywood, Dance, Film

“Legs: Cyd Charisse”

1950s-1990s

Statuesque beauty of
MGM musicals was a
commanding presence.

Music & Theater

“Memory & Cats”

1981-2010

Aging feline Grizabella,
in Cats, sings a painful,
poignant “Memory.”

TV & Civil Rights

“When Harry Met Petula”

April 1968

Pet Clark & Harry Belafonte
made civil rights history
challenging a Chrysler v. p.

Female Celebrity & Politics

“Linda & Jerry”

1971-1983

Linda Ronstadt meets
Jerry Brown as her
music career soars.

Music & Politics

“Barracuda Politics”

2008

Sarah Palin campaign music
at Republican convention
riles rock group, Heart.

Determined Performer

“Rocker Supreme”

1958-2008

The tough times, amazing
comeback, and true grit
of Tina Turner.

Feisty Film Goddess 

“Ava Gardner”

1940s-1950s

North Carolina country
beauty becomes Hollywood
box office gold.

Supermodel Stardom

“The Most Beautiful Girl”

1993-2012

Gisele Bündchen becomes
modeling sensation;
earns $33 million in 2006.

Sex In Advertising

“G.E.’s Hot Coal Ad”

2005

Mad Ave.’s sexy miners
give coal biz a glamour
that’s not exactly real.

Recording Artist

“Hello Stranger”

1963

Barbara Lewis brings
a “smooth jazz” sound
to the mid-1960s.

 

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Date Posted: 16 September 2014
Last Update: 26 December 2017
Comments to: jdoyle@pophistorydig.com

Article Citation:
Jack Doyle, “Noteworthy Ladies: 1910s-2010s,”
PopHistoryDig.com, September 16, 2014.


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“Hello Stranger”
1963-1966

Barbara Lewis, sometime in the early 1960s.
Barbara Lewis, sometime in the early 1960s.
     In the summer of 1963, a very smooth and sexy piece of music was being heard on the radio that was also rising on the pop charts.  The name of the tune was “Hello Stranger” and it was written and performed by a 20 year-old named Barbara Lewis.  The music was distinctive for its time, in part because it couldn’t be easily characterized.  Lewis’ style was smooth and silky, and might be called “smooth jazz” or “smooth R& B” by some.  But in the early 1960s, the sound found its mark and rose on the charts, as Lewis would turn out other tunes in a similar style over the next few years.

     Barbara Lewis was born in February 1943 in rural Salem, Michigan, about 15 miles from Ann Arbor, home of the University of Michigan.  Music was a part of her family life; both parents played musical instruments and had led orchestras.  She attended high school at South Lyon, Michigan, where she was the only African-American student.  At one point there,  she had finished second in a school talent contest.  She had been writing music since the age of nine, and began recording in her teens.  She worked with record producer Ollie McLaughlin, a black disc jockey at Ann Arbor’s WHRV radio station, since renamed. 

Barbara Lewis’s debut album, ‘Hello Stranger’, issued by Atlantic in 1963.
Barbara Lewis’s debut album, ‘Hello Stranger’, issued by Atlantic in 1963.

     By 1962, she had cut a record, an upbeat song titled “My Heart Went Do Dat Da,” which became a local hit but did not chart nationally.  However, the song  convinced Ollie McLauglin that Lewis had potential.

     In January 1963, McLaughlin took Lewis to the Chess Studios in Chicago the day before they had  arranged a recording session.  There she watched Etta James cut a single, and came home a bit depressed, saying to her Mom, “I’ll never have a hit like that.”  But on the next day, for her own session, she brought a song she had written, “Hello Stranger.”  The lyrics came to her from traveling around town with her father.  “I would make the circuit with my dad and people would yell out: ‘Hey stranger, hello stranger, it’s been a long time’,”  Lewis recalled. “…But I know that second verse [in the song] makes it sound like lovers.”  And indeed, that’s the interpretation that sticks for most listeners —  a romantic, come-hither plea to a returning lover.

“Hello Stranger”
Music Player

     The song’s arrangement uses a signature organ riff in the lead along with drums and cymbal as the vocals come in.  At the recording session, DJ Ollie McLaughlin managed to pull in as background singers a good popular group called the Dells.  The Dells have a memorable part backing Lewis with classic sounding “shoo-bop, shoo-bop, my baby” vocals.  Lewis had also written the background vocals.  In the recording session, Lewis was in a tiny booth with the five Dells and two microphones.  Riley Hampton did the arranging and John Young played the keyboards.  They did 13 takes before they were satisfied with the song.  At the end, one of Dells, Chuck Barksdale, became very excited about what they had recorded.  As Barbara Lewis later recounted: “Chuck kept jumping up and down and saying, ‘It’s a hit, it’s a hit.’ …I didn’t really know. It was all new to me.”

Barbara Lewis with her ‘Hello Stranger’ album in the 1960s.
Barbara Lewis with her ‘Hello Stranger’ album in the 1960s.
     And the song was a hit.  “Hello Stranger” broke into the Top 40 in May 1963 and rose to No. 3 that summer remaining in Top 40 for about 10 weeks.  It went to No. 1 on the R & B charts.  A debut album also titled Hello Stranger followed, with a dozen songs, all of which Lewis wrote. 

     It was unusual at the time — a time when professional songwriters in New York’s Brill Building and elsewhere across the land were turning out songs for new groups — for the performer to also write the music.  Still, despite her talents, Lewis’s share of the rewards for her music was not what it should have been, especially in the early years. 

     When she began her career, she was naïve about the business side of her music, and executives got most of the money.  Some of her royalty checks were sent to fictitious persons.  At one point, Lewis was given a check for $500, with her handlers telling her it was the best they could do.

     Following her initial hit, Lewis continued to work with Olllie McLauglin.  In August 1963, Sharon McMahan, a writer and later artist in her own right who worked with McLaughlin and Lewis, wrote a follow-up single for Lewis, “Straighten Up Your Heart” that hit No. 43 on the music charts.  McMahan would also write another later song for Lewis on Stax Records, “Do I Deserve It Baby.”

Barbara Lewis’s second hit, ‘Baby I’m Yours,’ came in the summer of 1965.
Barbara Lewis’s second hit, ‘Baby I’m Yours,’ came in the summer of 1965.
     Lewis then recorded in New York with producers Bert Berns and Jerry Wexler.  Two more hits followed.  “Baby I’m Yours,” written by Van McCoy, was released in July 1965 and rose to No. 11 on the charts.  “Make Me Your Baby,”  written by Helen Miller and Rodger Atkins, followed in October 1965 and also peaked at No 11.  Lewis’s final top forty hit was “Make Me Belong To You” of August 1966, which rose to No. 28.  By the end of 1960s, Lewis had released another album on Stax Records.  Described by some as “a gritier sounding” allbum, it met with mixed results.  Lewis also penned songs for other groups in the 1960s, with some success.  She continued recording in Chicago into the early 1970s, but then withdrew from the music business.

     Barbara Lewis soon found herself  in the work-a-day world, where she did everything from running her own jewelry store to working security.  But in her various jobs, she never touted her former fame to co-workers; nobody knew she had earlier been a popular recording artist.  “I never felt like a big star, anyway.  …I went back to Michigan and I never told a soul….” – Barbara Lewis “I never felt like a big star, anyway,” Lewis told former Minneapolis Star writer, Chuck Laszewski, in a 2008 interview for MinnPost.com.  “I went back to Michigan and I never told a soul.  I would hear it on the radio and it was disassociation.  It was another lifetime.  I was never sad about it.  I just went about my life.” 

     By 1993, however, Lewis began wondering if she could still sing and perform.  She made a few calls to old contacts and before long was once again playing on the nostalgia circuit.  As of mid-2008, she was still performing, explaining to Chuck Laszewski: “Last year, I worked an awful lot.  My voice is better than it ever was.  …I still sing the songs in their original key.  I’ve been very, very blessed.”


A Barbara Lewis album released by Enterprise in 1970.
A Barbara Lewis album released by Enterprise in 1970.
Long Coattails

     Over the years, Lewis’ songs, or the ones she initially recorded, have  found a number of willing users among other artists.  Even in the 1960s and 1970s her contemporaries were covering her songs.  In 1965, the same year that Lewis cut her second hit song, “Baby I’m Yours,” Peter & Gordon of the U.K. did the song for the British market, becoming a Top 20 singles hit there.  The following year, the U.K.’s Cilla Black recorded the song on her album Cilla Sings a Rainbow.  In 1969, Dusty Springfield did Lewis’s 1966 song, “Don’t Forget About Me.”  Country singer Jody Miller remade “Baby I’m Yours” in 1971 and released it as a single, reaching No. 5 on the Country Singles chart. Canada’s Suzanne Stevens hit with a 1975 disco version of “Make Me Your Baby.”  Back in the U.K., Linda Lewis had a top forty hit in 1976 with “Baby I’m Yours.”

     In 1977, “Hello Stranger” was recorded by U.S. singer Yvonne Elliman, which hit No. 15 on the pop chart and No.1 on the Adult Contemporary chart. It also hit the U.K. singles Top 30. Debby Boone’s 1978 version of “Baby I’m Yours” — a B-side to her “God Knows” song — peaked separately at No. 18 on the Adult Contemporary chart and No. 33 on the Country Singles chart. A range of artists — from Debby Boone to the Arctic Monkeys — have covered her songs. “Baby I’m Yours” was also done by Tanya Tucker in 1983, and also made the Billboard country chart.  In 1990, U.S. singer Cher released her version of “Baby I’m Yours” as the first European single release from the soundtrack to the movie MermaidsIn 1995, “Baby I’m Yours” was featured on the soundtrack from the film The Bridges of Madison County.  Other artists who have recorded “Baby I’m Yours” include Petula Clark, The Paramounts, Billy Preston, and Maureen McGovern.  And last but not least, in 2006, the Arctic Monkeys released a cover of  the song in a collaborative effort with The 747s.  It was released as a B-side of the single, “Leave Before the Lights Come On,” which hit No. 4 on the U.K. Singles Chart.  There are also a range of other artists who have done Barbara Lewis tunes, as this is not a complete list.

This ‘Best of Barbara Lewis’ compilation by Atlantic was first issued in 1994, reissued in 2005.
This ‘Best of Barbara Lewis’ compilation by Atlantic was first issued in 1994, reissued in 2005.


“The Best of…”

     In July 1994, Rhino Records released a compilation of Lewis’s tunes, titled Hello Stranger: The Best of Barbara Lewis, a 20-tune compendium of her hits, basically tracking her career.  This album also includes Lewis’s endorsement on the back as well as extensive liner notes.  In one review of this album, Stephen Thomas Erlewine at All Music.com, says that Lewis’s work, along with Atlantic’s production, resulted in “an alluring body of work that still sounds seductive, yet comforting, years after their release.”  He calls The Best of…, “an excellent compilation.”  Other online reviewers, such as Dave Moore at Hitsville Soul Club.com, have gone through Lewis’s discography in detail, offering additional perspective on her music and its impact, including some of her lesser-known songs.


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______________________ 

Date Posted:  17 March 2009
Last Update:  30 December 2011
Comments to:  jdoyle@pophistorydig.com

Article Citation:
Jack Doyle, “Hello Stranger, 1963-1966,”
PopHistoryDig.com, Mach 17, 2009.

_____________________________


 

 

 

 

Sources, Links & Additional Information

U.K. version of 'The Best of Barbara Lewis', issued by Rhino/Wea, March 2007.
U.K. version of 'The Best of Barbara Lewis', issued by Rhino/Wea, March 2007.

“Barbara Lewis” and “Baby I’m Yours,” Wikipedia.org.

Richie Unterberger, Song Review, “Hello Stranger,” All Music.com.

Chuck Laszewski, “‘Hello Stranger’: Barbara Lewis In Town For ‘Taste’,” MinnPost.com, Monday, June 30, 2008.

Dave Moore, “Barbara Lewis: No Stranger To Soul,” Hitsville Soul Club.com, August 2005.

Stephen Thomas Erlewine, Hello Stranger: The Best of Barbara Lewis, Album review, All Music.com.

Website of singer/songwriter, Sharon McMahan.

“Barbara Lewis,” African American Registry.com.

“Barbara Lewis Fan Club,” Squidoo.com.