She walked away from her husband and a successful musical career with some loose pocket change, a gasoline credit card, and little else. It was early July 1976, just after the 4th. For a time, she relied on friends and food stamps to survive. But Tina Turner never lost her moxie or her grove. She rose from the ashes of her earlier troubles, having endured years of physical abuse and indignities in a marriage and professional music relationship with her partner and husband, the late Ike Turner (charges which he disputed). Picking up the pieces and taking control of her career, Tina Turner worked her way back into the entertainment world she loved. By the mid-1980s, she began one of rock ‘n roll’s greatest second acts ever, gaining the respect of the music community and beyond with her stunning comeback. Her story has been chronicled in both the best-selling 1986 book, I, Tina, and the Oscar-nominated 1993 film, What’s Love Got To Do With It.
By 2005, Tina Turner had become one of the most successful female rock artists of all time, with record and CD sales in excess of 180 million copies. Her live performances from the mid-1980s through 2001 set audience attendance records from London to Rio. In fact, she sold more concert tickets in that period worldwide than any other solo performer in history. During those years, Tina Turner became the economic equivalent a modest-size corporation, generating revenues well north of $500 million. She didn’t do it alone, of course, but her personal odyssey and successful comeback resonated with millions of fans, friends, and admirers. As Oprah Winfrey put it at the 2005 Kennedy Center Honors celebrating Turner’s achievements: “Tina Turner didn’t just survive, she triumphed.” Consider first, her beginnings.
Born Anna Mae Bullock in Nutbush, Tennessee in 1939, Tina Turner’s first act as a rock ‘n roller came at the age of 19 when she linked up with St. Louis guitarist Ike Turner in 1958. Turner gave the young girl the stage name Tina and also married her in 1960. Through the 1960s and 1970s, the Ike & Tina Turner Revue did quite well, playing just about anywhere. They opened for acts like the Rolling Stones, appeared on national television, and hit the pop and rhythm and blues (R&B) charts with their own songs — among them, “River Deep, Mountain High,” a 1966 Phil Spector-produced hit. They also made a popular version of the Creedance Clearwater Revival tune, “Proud Mary,” which peaked at #4 in March 1971 and became part of their live routine for many years. It also won a Grammy for “Best R&B Vocal Performance By A Duo or Group.” In 1975, Tina first appeared in film as the Acid Queen in the adaptation of the rock opera Tommy, based on the 1969 album of that name by the British rock group The Who.
Hard Times & Comeback
By the mid-1970s, however, things began to fly apart for the Ike & Tina Turner Revue and the marriage of Ike and Tina. Known to have suffered the whims and abuses of Ike throughout their marriage, Tina walked out on him and the Revue in 1976. She divorced Ike in 1978, emerging with only her stage name and a sizeable debt from cancelled performances. She then tried to make her way back into recording and performing, cutting two albums in the late 1970s, both of which foundered. In Las Vegas, where she was performing, she met Roger Davies who became her manager and helped her gain more visibility“Tina Turner didn’t just survive, she triumphed.”
- Oprah Winfrey, 2005.
Davies had her perform in the New York rock club The Ritz, and also helped establish her in Great Britain. In the early 1980s she made a version of the Al Green song ”Let’s Stay Together.” Released on Capitol Records, the song rose to #6 on the U.K. singles charts and into the Top 20 on U.S. charts. Lionel Richie invited Turner to join his tour in the spring of 1984. Capitol Records, meanwhile, noticing the success of “Let’s Stay Together,” decided to do a whole album with Tuner in 1984 named Private Dancer. The album hit #3 on the U.S. charts and also spawned five Top 40 singles. Worldwide, Private Dancer is estimated to have sold at least 11 million copies, with some estimates nearly double that at 20 million. It became one of the best-selling albums of all time, and put Tina Tuner squarely on the comeback trail.
|Break Every Rule
|Tina Live in Europe
|Simply the Best
|What’s Love Got…
|Twenty Four Seven
|All The Best
Her 1985 single “What’s Love Got to Do With It” hit #1 and also won Grammys for Record of The Year, Song of the Year, and Best Female Pop Vocal Performance. In July 1985, at the Live Aid benefit concert at JFK Stadium in Philadelphia, Turner joined The Rolling Stones’ Mick Jagger on stage singing “State of Shock” and “It’s Only Rock ‘n Roll.” Also that summer, she co-starred with Mel Gibson in the film Mad Max Beyond Thunderdome and sung on the movie’s soundtrack, producing the hit songs “We Don’t Need Another Hero” and “One of the Living.” “Hero” peaked at #1 and #2 in the U.K. and U.S. respectively and won Turner another Grammy, this one for Best Rock Vocal Performance.
Book & Movie
In 1986, an autobiography, I, Tina, co-written by MTV news correspondent and music critic Kurt Loder, was published by William Morrow. The book reached the New York Times hardback best seller list in October 1986. A year later, it appeared as an Avon paperback peaking at #6 on the best seller list in early August 1987. Her sixth solo studio album also appeared that year, Break Every Rule, another big-seller, producing hit singles including “Typical Male,” which peaked at #2 on the Billboard Hot 100 and #1 on the United World Chart. The world tour touting the album produced record-breaking tickets sales, including one of the single largest-paying audiences ever to see a single performer — more than 184,000 at the Maracanã Stadium in Rio de Janeiro, Brazil. Sponsored by Pepsi, the concert was also broadcast live to a worldwide audience
In 1993, Turner’s autobiography I, Tina was made into a motion picture using her song What’s Love Got to Do With It? as the film’s title. Angela Bassett played Tina and gave and Ocar-nominated performance. Laurence Fishburne played Ike and was also Oscar-nominated. In a review of the movie, Roger Ebert wrote, “It’s a story of pain and courage, uncommonly honest and unflinching, and the next time I hear Tina Turner singing I will listen to the song in a whole new way.” The film spurred renewed interest in Turner’s music and her earlier autobiography. I, Tina, which returned to the New York Times best-seller list in July 1993, again as an Avon paperback. Tina Turner, meanwhile, kept performing and became more popular than ever. Through the 1990s and into the 2000s, she continued to churn out best-selling albums coupled with very successful world tours, becoming known for her energetic performances
Observed New York Times reporter Robbie Woliver writing a review of Turner’s work and touring in June 2000: “While Ms. Turner, who turns 60 in November, is still touring, her music and once-explosive stage performance has become more polished… The suggestive shimmies and shakes have yielded to more sophisticated stances and struts, but in this era of Britney Spears and the Backstreet Boys, she still puts performers one-third her age to shame. She is part of the rare breed of truly electrifying performers, a singular artist who does not need VH-1 to designate her a diva.”
Private Dancer Tour: 1984-85
This tour began in February 1984 and ended in late December 1985. It was her first major arena tour and the first in her rising comeback. It consisted of three legs – North America, Europe, and the Pacific. She gave 171 shows, the bulk of them in Europe and the U.S., ending with shows in Australia and Japan. The tour was a sell out, and produced a VHS titled The Private Dancer Tour Live, which included footage from a March 1985 show in Birmingham, England with guests Bryan Adams and David Bowie.
Break Every Rule Tour: 1987-88
More than 4 million fans saw Tina Turner in action on this tour, which consisted of 173 shows between March 1987 and March 1988. The shows ran mostly in Europe and the U.S., with 2 in South America, one of which was the record-setting night at the Maracana Soccer Stadium in Rio de Janeiro, Brazil that drew 186,000 fans — a turn out of Guiness Book proportions. The Rio show was also filmed and released in both VHS and DVD as Tina Live in Rio 88.
Foreign Affair Tour: 1990
In a period of six months from April 1990 through November 1990, more than 4 million fans saw Tina Turner perform in one of 121 shows in her Foreign Affair Tour, a mostly European tour with 2 shows in Asia. Undertaken in support of her 1989 album Foreign Affair, the tour helped the album sell more than 10 million copies worldwide. A performance of this tour was filmed in Barcelona, Spain and was released as a video titled, Do You Want Some Action. The European leg of the tour surpassed a tour record previously held by The Rolling Stones for number of shows in that region.
What’s Love Tour: 1994
Mostly a North American tour with 63 of the 72 shows held there, this tour was rolled out to help promote the soundtrack album to her 1993 biographical film, What’s Love Got To Do With It? Unlike the preceding tour which included more stadium-like setting with crowds of 100,000 or more, this tour, at Turner’s request, was geared to smaller arena-type settings, with crowds less than 25,000 so she could be closer to the audience. The tour ran from June 1994 through October 1994 and also included 3 shows in Australia and 6 in Europe.
Wildest Dreams Tour: 1996-97
The Wildest Dreams Tour was a record-breaking worldwide tour by Turner, running from early May 1996 to mid-August 1997, consisting of 250 total shows, according to one source. It sold out stadiums and arenas all over the world, and grossed a reported $100 million in Europe alone and around $30 million in North America. More than 3.5 million fans saw the show, which also included 18 performance in Australia, 2 in Africa, and 2 in Asia.
24-7 Millennium Tour: 2000
Consisting of 120 shows in Europe and North America, and running from March to December in the year 2000, the Twenty-Four Seven Millennium Tour was Turner’s effort to promote her album Twenty Four Seven. Released in Europe in late 1999, and February 2000 in the U.S, the album reached #9 on the U.K. charts and #21 on the U.S. Billboard 200. It reportedly sold 60,000 copies in its first week. The Twenty-Four Seven tour, meanwhile, sold out stadiums all over the world, and made more money than other touring artists that year, including Barbra Streisand, the rock group Phish, and boy band, ‘N Sync. Turner’s 95 North American shows on this tour earned more than $80 million. Tens of millions more dollars came in on this tour with her 23 sold-out international shows. When the dust cleared, more than 3 million fans saw Tina Turner perform on this tour. The Wembley Stadium U.K. concert on this tour, her last in the UK, was performed before some 85,000 fans and was filmed and released as a VHS and DVD, entitled One Last Time Live!
Larry King Interview
In 1997, in the middle of her comeback popularity, Tina Turner appeared on the Larry King Live TV program on the Cable News Network (CNN). She was then in the middle of her Wildest Dreams Tour, headed for Australia. During the program, King asked her a range of questions, including those about her former husband Ike Turner, her biography, the movie about her life, and her conversion to Buddhism. Turner came across as a person at peace with herself, her career, and the decisions she had made to set her life on course since the early 1980s. Videos of that interview are available on You Tube and elsewhere. King noted at one point in the interview that she was a superstar, with Turner explaining she had a much bigger following in Europe than the U.S.:
TURNER: . . . Private Dancer [album] was the beginning of my success in England, and basically Europe has been very supportive of my music.
KING: More than America?
TURNER: Yes, yes, hugely.
KING: Hugely more – but you’re a major star here. You’re a superstar here in America.
TURNER: Not as big as Madonna. I am as big as Madonna in Europe. I am as big as, in some places, the Rolling Stones.
KING: In Europe?
TURNER: In Europe.
Turner told King she was not as big a star as Madonna in the U.S., but was in Europe.
King also talked with Turner during the interview about her being a hero to many people; a feminist hero:
KING: …[D]o you realize you’re a feminist hero in America, a heroine?
TURNER: . . .I am beginning to. You see, it wasn’t something that I planned. I kind of see it as a gift. Because of the life I lived, it had a meaning, and I think that the meaning was all of what is hatching now. I think that if I had not had — if I had not given the story to the world, maybe my life would not be as it is. I believe.
KING: So you are aware or not aware?
TURNER: No. I am becoming more and more aware.
KING: Going public with that story, was that difficult?
TURNER: Yes. Because I had had a lot of violence, houses burnt, cars shot into, the lowest that you can think of in terms of violence, and I didn’t know what would happen at that point because it had kind of died down and the divorce was final and my life was kind of getting back on the road, and I didn’t know what would happen. I didn’t know what kind of mess it would stir, so I — I had to really take a deep breath and make a decision. I felt somehow like getting it out — I guess it was instinct. Buy I felt that getting it out would be not suppressing it anymore, letting the world really know, because they were constantly talking to me about why I cannot separate. I could never tell the truth; nobody really understood, and they still don’t understand, but I think slowly now they’re beginning to.
KING: Did the picture [the movie, What’s Love Got To Do With It? ] do it justice?TURNER: Yes, I think in a way. I would have liked for them to have had more truth, but according to Disney, they said, it’s impossible, the people would not have believed the truth. And I understand that.
KING: They wouldn’t have believed all you had to take.
TURNER: That’s right.
KING: All right, if it’s difficult to sum up, even take some time, why did you stay?
TURNER: Ike was very good to me when I first started my career. I was in high school and started to sing weekends with him, and we were close friends. We had a very fun life in some kind of way. The mistake was when. . . it became personal and wasn’t my doing, and actually I think he realizes that. Had it not become personal, we would have possibly still been together today. . .
During the interview, Turner also revealed that she had turned down an opportunity to be in the Oscar-nominated 1985 Stephen Spielberg film The Color Purple. Based on the Pulitzer prize-winning novel of that name by Alice Walker, the book and the film tell the story of the trials and tribulations — including abuse, sex, and racial discrimination — of a young African American girl named Celie, who with the help of friends, finds her self worth. King asked her about the film:
KING: . . . It said here you turned down The Color Purple.
Of The Color Purple, she said: “It was exciting and flattering I was asked by Mr. Spielberg, but it was the wrong movie for me at that time.”
TURNER: I denied The Color Purple because it was too close to my personal life. I had just left such a life, and it was too soon to be reminded of [it] . . . Acting for me, I need something else. I don’t need to do what I’ve just stepped out of. It was exciting and flattering I was asked by Mr. Spielberg, but it was the wrong movie for me at that time.
KING: So no regrets over not doing it, even though it was a tremendous hit?
Elsewhere, Turner is also quoted as saying she turned down The Color Purple film role in part, because, “I lived Celie’s life with Ike. I don’t want to live it again”.
During his interview with Turner, Larry King took call-in questions as he normally does, with one caller from Copenhagen, Denmark asking if Turner had any idols or favorite actors.
KING: Who flips you?
TURNER: My one idol was Mrs. Jacqueline Kennedy Onassis. Her grace, her style, her intellect was how I modeled myself in terms of how I wanted to present myself off stage, so to speak. For my work, of course, the guys, the Stones, Rod Stewart. The rock ‘n’ roll guys. That was what I wanted and that’s what I did.. . .
KING: Did you ever get to meet Jackie?
TURNER: Yes. Do you want to hear the story?
“My one idol was Mrs. Jacque- line Kennedy Onassis. Her grace, her style, her intellect was how . . . I wanted to present myself off stage. . . .”
TURNER: We were checking into a hotel, and for some reason she was there, and at the time she was with Mr. Onassis, and I was standing at the reception, and I looked down and I wasn’t sure that it was her. But then she made a gesture of how she usually carried her person, and before I knew it I was running towards her. I was totally out of control. And by the time I got to the swinging doors, I said, “Oh, Mrs. Kennedy, Oh, I mean Mrs. Onassis.” And she turned very gracefully, and I said, “I’m Tina Turner. I just wanted to say hello.” And she extended her hand and had this big smile on her face, and I thought, “I’m saved.” She could have been rude. . . . She could have been, but wasn’t. She was very kind. And who was rude was the lady standing with her, she was looking down her nose at me like I was some disease. She says, “Oh, hello. My children would be pleased.” [W]e had just played Hyannisport, and I had been with Robert Kennedy’s family and we had been boating and dancing with them, and so they had told Caroline and John John, and therefore, she knew who I was. And I was very excited and she shook my hand and left, and as I turned there’s Mr. Onassis, and I said hi, I had to control myself. . . . And I went to my room [and privately celebrated over the chance encounter]. I can understand now sometimes when some of the fans come [to me at performances]. I try to be as compassionate as I can because I can relate.
“[W]e had just played Hyannis- port, and I had been with Robert Kennedy’s family and we had been boating and dancing with them. . .”
KING: And as you explain to yourself, and you continue to lose it even remembering it.
KING: She obviously was a major idol.
TURNER: She was bigger than life. She was absolutely wonderful.
In her personal life, Turner told King she’d found a partner in Erwin Bach, a native of Germany who she met and lived with in Germany in the 1980s. Bach, a record executive at EMI, one of the world’s largest music companies, was later moved to Zurich, Switzerland with the company, and he and Turner now live there. Turner also has a home in the south of France at Nice which she had previously bought and remodeled. She told Larry King in 1997, although she lived in Europe, she paid taxes in the U.S.
A Sports Franchise
Turner also told Larry King, in response to a call-in question about which of her songs she liked the most, that the song “The Best,” also known as “Simply the Best,” was her favorite. That song has also become a staple in certain sports venues, a development that Turner herself foresaw when she pushed for the song with her studio. “I felt it would be great for sport, and it ended up in many different countries for sport. I mean — my dream came true with that particular song,” she told King. But when Turner first got the idea of recording this tune, which was first made by Welch pop singer Bonnie Tyler, “no one believed in it but me,” she said. Turner’s version of the song was released as a highly successful single in 1989 from her hit album Foreign Affair. The single peaked at #15 on the U.S. Billboard Hot 100 and #5 in the U.K. It’s popularity in the U.K. was boosted by legendary British world champion boxer Chris Eubank who made it his theme song. Turner’s hit song “Simply The Best” has been used in advertising and by sports stars — from Martina Navratilova to HBO.It was also adopted by tennis star Martina Navratilova and became the theme song for Brazilian Formula One racer Ayrton Senna, who later died. Another version of “Simply the Best” that Turner recorded in 1992 as a duet with Australian rock star Jimmy Barnes, became a Top 40 hit single in Australia, where it was also used in a promotional and advertising campaign for the New South Wales Rugby League, Australia’s professional rugby league football. The campaign brought a great deal of interest to the league and its games. Turner also performed the song at the 1993 New South Wales Rugby League premiership’s Grand Final. A rugby league video version of the song was also released around that time and remained among Australia’s top ten videos for some weeks thereafter. In April 2006, the National Rugby League of Australia and New Zealand announced that Turner would return in her popular promotional role for the league in 2008. Outside of sports venues, “Simply The Best” has been also used in Home Box Office (HBO) advertisements for years, previewing shows and movies, unofficially becoming something of a second HBO theme. Turner’s version of the song also appears on the SingStar 80’s video game for Play Station 2.
A Giant Legacy
Although there are few second acts in any lifetime, Tina Turner is among those who have defied the odds by having a very successful one, adding to her earlier accomplishments. In her musical career, she has received eight Grammy Awards and was nominated for another 12. To date in the U.S., she has had seven Billboard Top Ten singles and 16 Top Ten R&B singles. In the U.K. she has had more than twenty Top 40 hits. Among her various music and other awards are the following: the American Music Award, the Billboard Music Award, the NAACP Image Award, MTV Video Awards, and the World Music Award. In addition to being a Kennedy Center Honoree in 2005, she is also a member of Rock & Roll Hall of Fame and has a star on the Hollywood Walk of Fame. She was ranked #2 on VH1’s 100 Greatest Women in Rock & Roll, and #51 on Rolling Stone’s “Immortals” list.
Although she retired from global touring in 2001, she has continued working. In 2003, she teamed up with Phil Collins to record the song “Great Spirits” for the Disney film Brother Bear. Her 2004 greatest hits album, All the Best charted in both the U.S. and the U.K., spawning a new single, “Open Arms,” which reached the Top 25 in the U.K. In 2005, she gave live TV performances in the U.S. and Europe and also appeared at a private charity ball in St. Petersburg, Russia. In addition to receiving Kennedy Center Honors, already mentioned, she was also named in 2005 as one of Oprah Winfrey’s 25 legends honoring outstanding African American women. In early 2006, the All the Invisible Children soundtrack was released with Turner and Elisa singing “Teach Me Again,”a song which hit #1 in Italy. In recent years, she has also contributed to albums by guitar legend Santana and jazz pianist Herbie Hancock (a tribute album to singer Joni Mitchell). In 2007, Turner was also working on an album of new material. In May 2007, Turner returned to the stage to headline a benefit concert for the Cauldwell Children’s Charity at London’s Natural History Museum. And in Februrary 2008, she performed at the Grammy Awards cermony.
For additional stories at this website on pop music history, please see the Annals of Music category page, or visit the Home Page for other story choices. Thanks for visiting – and please consider supporting this website. Thank you. – Jack Doyle
Date Posted: 2 April 2008
Last Update: 8 May 2014
Comments to: firstname.lastname@example.org
Jack Doyle, “Rocker Supreme: 1958-2007”
PopHistoryDig.com, April 2, 2008.
Sources, Links & Additional Information
Sara C. Medina, “People,” Time, September 8, 1986.
Mike Joyce, “Tina Turner, Typically Torrid,” Washington Post, August 25, 1987, p. D-8.
Richard Harrington, “Public Danger: Tina Turner’s Turbulent Life Comes to the Screen,” Washington Post, June 6, 1993, p. G-1.
Janet Maslin, “What’s Love Got to Do With It; Tina Turner’s Tale: Living Life With Ike and Then Without Him,” New York Times, June 9, 1993.
Desson Howe, “Love: It’s Got to Do With Grit,” Washington Post, June 11,1993, p. N-42.
Bernard Weinraub, “As Tina Turner, Wig to High Heels,”New York Times, June 23, 1993.
Geoffrey Himes, “Tina Turner,” Washington Post, August 2, 1993, p. B-4.
Richard Harrington, “Tina Turner’s One-Woman Festival,” Washington Post; June 23, 1997, p.D-7.
Richard Harrington, “Tina Turner: The Girl From Nutbush,” Washington Post, July 29, 1993, p. C-7.
Robbie Woliver, “Queen of Comeback Talks of Retirement,” New York Times, June 11, 2000.
Richard Harrington, “Proud Tina Keep On Burnin’,” Washington Post; June 16, 2000, p. C-2.
Megan Rosenfeld, “Please Tina, Keep on Burnin’,” Washington Post, October 9, 2000, p. C-5.
Janet Jackson, “#61 – Tina Turner,” Rolling Stone, 972, April 21, 2005.
Jacqueline Trescott, “Kennedy Center To Honor Five High-Wattage Cultural Lights,” Washington Post, September 7, 2005, p. C-1.
Teresa Wiltz, “Big Wheels Turning: For a Star-Studded Night, Tina Turner and Four Other National Treasures Rule on a River Called the Potomac,” Washington Post, December 5, 2005, p. C-1.
“Tina Tuner,” Wikipedia.org.
Tara Hayes, “Turner Is Simply The Best For NRL,” B&T (Australia media & advertising magazine), April 11, 2006