Tag Archives: politics & music history

“Reagan & Springsteen”
1984

President Ronald Reagan speaking at the Reagan-Bush campaign rally in Hammonton, NJ, 19 September 1984.
President Ronald Reagan speaking at the Reagan-Bush campaign rally in Hammonton, NJ, 19 September 1984.
     It was mid-September 1984.  U.S. President Ronald Reagan was on the campaign trail bidding for reelection in a race against Democrat and former vice president, Walter Mondale. 

Reagan was leading in the national polls at the time and had come to Hammonton, New Jersey for a Reagan-Bush campaign rally to give a campaign speech.  Hammonton, known for its blueberry production, is located in southeastern New Jersey in Atlantic County, not far from Atlantic City. 

     The town had gone all out for Reagan’s visit, staged in an outdoor venue.  Patriotic bunting decorated the buildings and a local band with cheerleaders was in place on the stage.

A giant American flag filled a large wall behind where Reagan would speak. And a large printed banner running along that wall offered a patriotic slogan that read: “America: Prouder, Stronger & Better.”  A crowd of more than 30,000 had come out in Hammonton to hear Reagan, many of them waving hand-held American flags. 

Ronald Reagan, barely visible in this photo, center left, approaching rostrum for 1984 speech at Hammonton, NJ, September 19th.  Photo, PerOwer, flicker.com.
Ronald Reagan, barely visible in this photo, center left, approaching rostrum for 1984 speech at Hammonton, NJ, September 19th. Photo, PerOwer, flicker.com.
     Ronald Reagan typically had optimistic and upbeat things to say in his speeches, and his remarks in Hammonton that day were no exception.  This time, however, in part of his speech, he made reference to a popular rock and roll singer known to many in New Jersey and elsewhere.

     “America’s future rests in a thousand dreams inside your hearts,” President Reagan said in his speech.  “It rests in the message of hope in songs so many young Americans admire: New Jersey’s own Bruce Springsteen.  And helping you make those dreams come true is what this job of mine is all about.”

     Bruce Springsteen at the time was about as popular as a rock ‘n roll singer could be, and it certainly wouldn’t hurt a politician – even an incumbent president – to be identified with that popularity.  Springsteen then had a very successful album, Born in the U.S.A., with a popular song of the same name.  The album had been released in June 1984 and was No.1 on the Billboard album chart by July 1984, remaining on the chart for 139 weeks.  It would also spawn seven Top-10 hit singles and become one of the best-selling albums of Springsteen’s career with over 15 million copies sold in the U.S. alone.  It was a monster hit, as was its title song, “Born in the U.S.A.”  The release of the song as a single had followed the album.  It was the third single from the album, and peaked at No.9 later that year on the Billboard Hot 100 singles chart.

Cover of Bruce Springsteen’s 1984 single, “Born in The U.S.A.,” which rose into Billboard’s Top Ten. Click for digital single.
Cover of Bruce Springsteen’s 1984 single, “Born in The U.S.A.,” which rose into Billboard’s Top Ten. Click for digital single.
     By late August 1984, the Born in the U.S.A. album was selling quite well.  Songs from the album, including the title track, were receiving frequent radio play.  And on top of that, Springsteen was on a live concert tour promoting the album and getting lots of national press.  One stop on the tour was the concert at the Capital Center outside of Washington, D.C., which received some prominent media coverage.  CBS Evening News correspondent, Bernard Goldberg,   reporting on September 12, 1984,  cast Springsteen as a modern-day Horatio Alger:  “His shows are like old-time revivals with the same old-time message: If they work long enough and hard enough, like Springsteen himself, they can also make it to the promised land.”  The next day, on September 13, 1984, nationally-syndicated Washington Post columnist, George Will, wrote a column entitled “Bruce Springsteen U.S.A.” (also titled, “Yankee Doodle Springsteen” in some editions; see Will’s full column as it appeared, posted here, beneath “Sources” at end of article).  Will had attended one of Springsteen’s Washington performances at the invitation of Springsteen’s drummer, Max Weinberg and his wife Rebecca.  In Will’s newspaper column, which ran in numerous papers all across the country, he praised Springsteen as an exemplar of classic American values.  Wrote Will, in part:

“I have not got a clue about Springsteen’s politics, if any, but flags get waved at his concerts while he sings songs about hard times.  He is no whiner, and the recitation of closed factories and other problems always seems punctuated by a grand, cheerful affirmation: ‘Born in the U.S.A.!'”

Washington Post columnist, George Will, took Bruce Springsteen’s rock music the wrong way. (see his full column at end).
Washington Post columnist, George Will, took Bruce Springsteen’s rock music the wrong way. (see his full column at end).
     President Reagan’s 1984 reelection campaign, then a few months before the national elections, was in full stride. George Will, a conservative Republican, had some friends and connections in the Reagan White House. Will got the idea that bringing Springsteen, or his songs, and the Reagan-Bush campaign into closer alignment might not be a bad idea, and he suggested this to some of his White House friends, including Michael Deaver, Reagan’s long-time advisor. Deaver staffers then made inquiries to Springsteen’s people, asked if the song could be used for the campaign. They were politely rebuffed. Still, the idea that Reagan should somehow try to associate with the popular Springsteen did not die, and seems to have reached Reagan’s speechwriters, which accounted for Reagan’s remarks about Springsteen in his September 1984 speech at Hammonton.

     The national campaign press, meanwhile, after hearing Reagan’s mention of Springsteen at Hammonton, were skeptical that Reagan knew anything at all about Springsteen or his music.  Some asked what Reagan’s favorite Springsteen song was, for example. After a time, came the answer: “Born to Run.”  Late night talk show host Johnny Carson began making jokes about Reagan’s new favorite music.

Bruce Springsteen performing in 1985.
Bruce Springsteen performing in 1985.
     Springsteen himself was on tour as the George Will piece ran in the papers, and also when Reagan gave his speech in Hammonton. But a few days after Reagan’s speech, during a September 22, 1984 concert in Pittsburgh, Springsteen responded. He was on stage introducing his song, “Johnny 99,” a song about an unemployed auto worker who turns to murder. “The President was mentioning my name the other day,” said Springsteen, as he moved into his song, “and I kinda got to wondering what his favorite album musta been. I don’t think it was the Nebraska album [about hard times in America]. I don’t think he’s been listening to this one” [“Johnny 99”].

     Meanwhile, Democratic presidential challenger Walter Mondale would say sometime later while campaigning, “Bruce Springsteen may have been born to run but he wasn’t born yesterday,” referring to Reagan’s use of the Springsteen association. Mondale later claimed to have been endorsed by Springsteen. But Mondale, too, was off the mark.  Springsteen manager, Jon Landau, denied any such endorsement, and the Mondale campaign issued a retraction.

     Springsteen, in an interview with Rolling Stone magazine, had a bit more to say about Reagan:

“I think people have a need to feel good about the country they live in.  But what’s happening, I think, is that that need — which is a good thing — is getting manipulated and exploited.  You see it in the Reagan election ads on TV, you know, ‘It’s morning in America,’ and you say, ‘Well, it’s not morning in Pittsburgh.'”

Cover of Bruce Springsteen’s “Born in the U.S.A.” album  –  No.1 on the Billboard chart in July 1984. Click for CD or digital.
Cover of Bruce Springsteen’s “Born in the U.S.A.” album – No.1 on the Billboard chart in July 1984. Click for CD or digital.
     George Will and Reagan’s speechwriters had misinterpreted Springsteen’s music.  True, they may have mistook the energy of the song and its rousing chorus for a kind of pro-America flag-waving, when actually the message was about how the system beat people down, and in the case of “Born in the U.S.A,” a local guy who goes off to fight in Vietnam, and returns to find no job, no hope, no respect. It’s the working class disconnected from government and certainly from foreign policy.

Springsteen himself would later explain that the song is about a working-class man in the midst of a spiritual crisis, trying to find his way:  “…It’s like he has nothing left to tie him into society anymore. He’s isolated from the government. Isolated from his family…to the point where nothing makes sense.” 

At the time of George Will’s column, some who had read his thoughts on Springsteen’s music took exception to his interpretation, charging that he was trying to refashion Springsteen as a “hero of the right.” Yet there are strains of patriotic craving in the song. Some social scientists have scored “Born in the U.S.A.” as a lamentation on the loss of true national pride and a critique of a hollow patriotism – a cry for a patriotism that was once there but no longer exists.

Sept 1984: President Ronald Reagan acknowledging the crowd at Hammonton, New Jersey. AP photo.
Sept 1984: President Ronald Reagan acknowledging the crowd at Hammonton, New Jersey. AP photo.
     Ronald Reagan, in any case, was re-elected in 1984, as the Reagan-Bush ticket soundly beat Walter Mondale and running mate Geraldine Ferraro. The American economy continued to limp along for a few more years with unemployment in the 7-to-7.5 percent range. Springsteen, meanwhile, was in the midst of one his most popular periods, having continued success in performing and songwriting. Ronald Reagan, however, would not be the only politician to try to associate with Springsteen’s music.  In 1996, U.S. Senator Bob Dole, then running for president against Bill Clinton, briefly used “Born in The U.S.A.” in his campaign a few times until Springsteen objected.  And in the year 2000, Republican Pat Buchanan, also mounting a campaign for president, used “Born in the USA” as intro music to open his campaign.

     For other stories at this website on music and politics, see for example: “I’m A Dole Man,” “I Won’t Back Down,” and “Baracuda Politics.”  Thanks for visiting — and if you like what you find here, please make a donation to help support the research and writing at this website. Thank you. – Jack Doyle.

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Date Posted: 14 April 2012
Last Update: 10 April 2019
Comments to: jdoyle@pophistorydig.com

Article Citation:
Jack Doyle, “Reagan & Springsteen, 1984,”
PopHistoryDig.com, April 14, 2012.

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Sources, Links & Additional Information

“Born in The U.S.A.”
Bruce Springsteen – 1984

Born down in a dead man’s town
The first kick I took was when I hit the ground
You end up like a dog that’s been beat too much
Till you spend half your life just covering up

Born in the U.S.A.
I was born in the U.S.A.
I was born in the U.S.A.
Born in the U.S.A.

Got in a little hometown jam
So they put a rifle in my hand
Sent me off to a foreign land
To go and kill the yellow man

Born in the U.S.A.
I was born in the U.S.A.
I was born in the U.S.A.
Iwas born in the U.S.A.
Born in the U.S.A.

Come back home to the refinery
Hiring man says “Son if it was up to me”
Went down to see my V.A. man
He said “Son, don’t you understand”
I had a brother at Khe Sahn
      fighting off the Viet Cong
They’re still there, he’s all gone

He had a woman he loved in Saigon
I got a picture of him in her arms now

Down in the shadow of the penitentiary
Out by the gas fires of the refinery
I’m ten years burning down the road
Nowhere to run ain’t got nowhere to go

Born in the U.S.A. I was born in the U.S.A.
Born in the U.S.A.
I’m a long gone Daddy in the U.S.A.
Born in the U.S.A.
Born in the U.S.A.
Born in the U.S.A.
I’m a cool rocking Daddy in the U.S.A.

“Born in the U.S.A. (song),” Wikipedia.org.

“Bruce Springsteen,” Wikipedia.org.

Bernard Goldberg, “Bruce Springsteen,” CBS Evening News, September 12, 1984.

George Will, “A Yankee Doodle Springsteen,” Washington Post, September 13, 1984.

George F. Will, “Bruce Springsteen’s U.S.A.,” Washington Post, Thursday, September 13, 1984, p. A-19.

Ron Collins, “A Curious Piece,” Washington Post, September 17, 1984, p. A-14.

Nora Leyland, “Will on Springsteen (Cont’d.),” Washington Post, September 19, 1984, p. A-26.

Francis X. Clines, “President Heaps Praise on Voters in the Northeast,” New York Times, Thursday, September 20, 1984, p. B-20.

Francis X. Clines, “Mondale Assails Reagan on Arms,” New York Times, Tuesday, October 2, 1984, p. A-22.

Joseph F. Sullivan, “Politics; Rally in Middlesex Lifts Mondale Spirits,”New York Times, Sunday, October 7, 1984, Section 11, p. 1.

Robert Palmer, “What Pop Lyrics Say to Us Today,” New York Times, Sunday, February 24, 1985.

Jon Pareles, “Bruce Springsteen – Rock’s Popular Populist,” New York Times, August 18, 1985.

Nicole Colson, “Sing a Song of Hypocrisy; Do the Political Candidates Pick the Songs That Fit Them?,” SocialistWorker.org, March 28, 2008, Issue 667.

Todd Leopold, “Analysis: The Age of Reagan, President Loomed over the ’80s, an Era at Odds with Itself,” CNN.com,  June 16, 2004.

Jeff Vrabel, “1984 Bruce Springsteen: “Born in The U.S.A,” PopMatters Picks: Say It Loud! 65 Great Protest Songs, Pop Matters.com, July 19, 2007.

Bruce Springsteen on the cover of People magazine in September 1984, about the time of President Ronald Reagan’s remarks about him in Hammonton, NJ. Click for copy.
Bruce Springsteen on the cover of People magazine in September 1984, about the time of President Ronald Reagan’s remarks about him in Hammonton, NJ. Click for copy.
Cahal Milmo and Andy McSmith, “Musical Fallout: Pop Goes the Politician…,” The Independent, (UK.), Friday, May 16, 2008.

Jack Sanders, “Springsteen, Walmart, Populism &Republicans,” IssueOriented.com  March 19, 2009.

Jefferson R. Cowie and Lauren Boehm, “Dead Man’s Town: ‘Born in the U.S.A.,’ Social History, and Working-Class Identity,” American Quarterly – Volume 58, Number 2, June 2006, pp. 353-378.

“America’s Future Rests in a Thousand Dreams Inside Your Hearts,” September 19, 1984 speech of President Ronald Reagan at Hammonton, New Jersey, formerly displayed at My Hammonton.com, since removed.

Associated Press, “Music and Candidates: An Uneasy Alliance,” KLEW-TV.com, May 29, 2008, updated, November 20, 2008.

John Perich, “Born In The USA: Our Most Misappropriated Patriotic Song?,” Over ThinkingIt.com, July 3, 2009.

Randall E. Auxier and Doug Anderson (eds.), Bruce Sprinsteen and Philosophy: Darkness on the Edge of Truth, Open Court Books, 2008.

Rob Kirkpatrick, The Words and Music of Bruce Springsteen, Greenwood Publishing Group, 2007,198 pp.

“Ronald Reagan Rock,” Hammonton, New Jersey, RoadsideAmerica.com.



“Bruce Springsteen, U.S.A”
By George Will, Washington Post
September 13, 1984

     What I did on my summer vacation: My friend Bruce Springsteen…Okay, he’s only my acquaintance, but my children now think I am a serious person.  I met him because his colleague Max Weinberg and Max’s wife Rebecca invited me to enjoy Max’s work, which I did.  He plays drums for Springsteen, who plays rock and roll for purists, of whom there are lots.  For 10 shows in New Jersey, he recently sold 16,000 $16 tickets in the first hour, all 202,000 in a day.  His albums can sell 1 million copies on the first day of release.

     There is not a smidgen of androgyny in Springsteen, who, rocketing around the stage in a T-shirt and headband, resembles Robert DeNiro in the combat scenes of “The Deerhunter.”  This is rock for the United Steelworkers, accompanied by the opening barrage the battle of the Somme.  The saintly Rebecca met me with a small pouch of cotton — for my ears, she explained.  She thinks I am a poor specimen, I thought.  I made it three beats into the first number before packing my ears.  I may be the only 43-year-old American so out of the swim that I do not even know what marijuana smoke smells like.  Perhaps at the concert I was surrounded by controlled substances.  Certainly I was surrounded by orderly young adults earnestly — and correctly — insisting that Springsteen is a wholesome cultural portent.

     For the uninitiated, the sensory blitzkrieg of a Springsteen concert is stunning.  For the initiated, which included most of the 20,000 the night I experienced him, the lyrics, believe it or not, are most important.

     Today, “values” are all the rage, with political candidates claiming to have backpacks stuffed full of them. Springsteen’s fans say his message affirms the right values. Certainly his manner does. Many of his fans regarded me as exotic fauna at the concert (a bow tie and double-breasted blazer is not the dress code) and undertook to instruct me. A typical tutorial went like this:

Me: “What do you like about him?”
Male fan: “He sings about faith and traditional values.”
Male fan’s female friend, dryly: “And cars and girls.”
Male fan: “No, no, it’s about community and roots and perseverance and family.”
She: “And cars and girls.”

     Let’s not quibble.  Cars and girls are American values, and this lyric surely expresses some elemental American sentiment: “Now mister the day my number comes in I ain’t never gonna ride in no used car again.”

     Springsteen, a product of industrial New Jersey, is called the “blue-collar troubadour.”  But if this is the class struggle, its anthem — its “Internationale” — is the song that provides the title for his 18-month, worldwide tour: “Born in the U.S.A.”

     I have not got a clue about Springsteen’s politics, if any, but flags get waved at his concerts while he sings songs about hard times.  He is no whiner, and the recitation of closed factories and other problems always seems punctuated by a grand, cheerful affirmation: “Born in the U.S.A.!”

     His songs, and the engaging homilies with which he introduces them, tell listeners to “downsize” their expectations — his phrase, borrowed from the auto industry, naturally.  It is music for saying good-bye to Peter Pan: Life is real, life is earnest, life is a lot of work, but . . .

     “Friday night’s pay night, guys fresh out of work/Talking about the weekend, scrubbing off the dirt. . ./In my head I keep a picture of a pretty little miss/Someday mister I’m gonna lead a better life than this.”

     An evening with Springsteen — an evening tends to wash over into the a.m., the concerts lasting four hours — is vivid proof that the work ethic is alive and well.  Backstage there hovers the odor of Ben-Gay: Springsteen is an athlete draining himself for every audience.

     But, then, consider Max Weinberg’s bandaged fingers.  The rigors of drumming have led to five tendinitis operations.  He soaks his hands in hot water before a concert, in ice afterward, and sleeps with tight gloves on.  Yes, of course, the whole E Street Band is making enough money to ease the pain.  But they are not charging as much as they could, and the customers are happy.  How many American businesses can say that?

     If all Americans — in labor and management, who make steel or cars or shoes or textiles — made their products with as much energy and confidence as Springsteen and his merry band make music, there would be no need for Congress to be thinking about protectionism.  No “domestic content” legislation is needed in the music industry.  The British and other invasions have been met and matched.

     In an age of lackadaisical effort and slipshod products, anyone who does anything — anything legal — conspicuously well and with zest is a national asset.  Springsteen’s tour is hard, honest work and evidence of the astonishing vitality of America’s regions and generations.  They produce distinctive tones of voice that other regions and generations embrace.  There still is nothing quite like being born in the U.S.A.

______________
George F. Will, “Bruce Springsteen’s U.S.A,” Washington Post, Thursday, September 13, 1984, p. A-19.




“I Won’t Back Down”
1989-2008

Cover of Paul Zollo’s 2005 book, “Conversations With Tom Petty,” Omnibus Press, 284pp. Click for Amazon link.
Cover of Paul Zollo’s 2005 book, “Conversations With Tom Petty,” Omnibus Press, 284pp. Click for Amazon link.
     “I Won’t Back Down” is the first single from Tom Petty’s first solo album, Full Moon Fever, released in 1989. The song was written by Petty and his writing partner at the time, Jeff Lynne. It rose to No. 12 on the Billboard Hot 100 single’s chart. It also rose to No. 1 on Billboard’s Mainstream Rock chart, which ranks radio play. The song’s popularity helped send Full Moon Fever to the multi-million-selling sales club. By October 2000, the album had sold more than five million copies.


Music Player
“I Won’t Back Down”

     “I Won’t Back Down” says it all in its title; it’s a fighter’s song — Petty is standing his ground and he won’t back down. The lyrics — shown later below in a separate sidebar at the bottom of this story — suggest a struggle against the odds, whatever they might be; and a determined stand against the powers that be, whoever they are. And Petty’s defiant tone in the performance provides just the right touch of attitude.

     The song will resonate with those who have been wronged, as well as those who might be out to prove a point. It has a kind of universal and personal appeal. Plus, it’s good rock ‘n roll. It’s also a perfect song for a political campaign. And not surprisingly, more than a few politicians — Republicans, Democrats, and Independents — have all used it, especially in the 1990s and early 2000s.


Politics & Music

     Politicians, especially in recent years, have begun scouring the pop, country, rap and hip hop music charts for tunes that strike a chord with their would-be supporters.  They “borrow” these tunes and use them as theme music during their campaigns, playing them before speeches and at rally locations on the campaign trail.  Sometimes, however, they don’t bother asking the artist’s permission to use the songs, or acquire all the requisite legal blessings.  Such “oversight” can sometimes lead to embarrassing situations — for both candidate and artist.

     Happily, for most of those using Tom Petty’s song in various campaigns over the last decade or so, there have only been only one or two of those awkward situations.  Notably in this category, however, was the year 2000 presidential campaign of then Texas Governor W. Bush.  Bush had used “I Won’t Back Down” at campaign events during the 2000 race, becoming practically “a fixture” at those events, according to one report.  Tom Petty wasn’t happy about that. In early 2000, Tom Petty’s publisher sent George Bush a “cease and desist” letter to stop his campaign from using the song. So, he had his publisher send Bush a “cease and desist” letter.  That meant Bush was compelled to stop using the song at his campaign events.  Petty did not want the use of his song to be construed as an endorsement of candidate Bush.

Young Tom Petty.
Young Tom Petty.
     Petty’s publisher, Randall Wixen of Wixen Music, wrote to Bush in early February 2000 telling him to “immediately cease and desist all uses of the song in connection with your campaign.”  Wixen said in his letter to Bush that the use of the song “creates, either intentionally or unintentionally, the impression that you and your campaign have been endorsed by Tom Petty, which is not true.” 

     About a week later, Michael Toner, a lawyer for Bush’s campaign, wrote back to Wixen, saying:  “We do not agree that the mere playing or use of a particular song at a campaign event connotes any impression, either intentionally or unintentionally, of endorsement.” 

Nevertheless, Toner confirmed that the Bush campaign would not use the song at any future campaign events. “So we backed down,” said Bush spokesman Dan Bartlett, jokingly, to reporter Jake Tapper, then covering the issue for Salon.com.

 

Dems Like Tune

U.S. Senate candidate Jim Webb at an October 2006 campaign stop in Annandale, Virginia. Photo-Brendan Smialowski/Getty. Click for Webb book.
U.S. Senate candidate Jim Webb at an October 2006 campaign stop in Annandale, Virginia. Photo-Brendan Smialowski/Getty. Click for Webb book.
     On the Democratic side of the aisle, a number of candidates had used Tom Petty’s “I Won’t Back Down” in their political campaigns. Virginia Democrat Jim Webb, a Vietnam Vet and former Secretary of the Navy who mounted a pugnacious, reform-minded run to win a U.S. Senate seat in 2006, used the Petty song in his campaign. On November 3rd, 2006, right before the election, Webb’s campaign staged a lively outdoor rally with prominent Democrats at Virginia Union University in Richmond. At that rally, Webb took to the stage to the beat of Tom Petty’s “I Won’t Back Down.”  Webb won the race over  Republican incumbent George Allen.

     Another U.S. Senator in 2006, Democrat Robert Menendez of New Jersey, during his re-election bid, made “I Wont’ Back Down” his campaign’s theme song.  It could be heard playing on sound systems from schools to senior centers all across the state.  It was played wherever Menendez appeared, usually as he entered the room or took the stage.  In some cases, the song was played live by a local band rather than the pre-recorded Tom Petty version.

Senator Menendez campaigning in Trenton, NJ, October 2006. Photo, Sylwia Kapuscinski/Getty. Click for Menendez book.
Senator Menendez campaigning in Trenton, NJ, October 2006. Photo, Sylwia Kapuscinski/Getty. Click for Menendez book.
     In West Deptford, NJ that fall, a local group of senior musicians called The Entertainers was used — four guys that had been playing local gigs for seven years.  When the Menendez campaign told the band the Petty song was the song they would be using, the band leader had never heard of it.  He then ran out and bought the CD, found the lyrics online, and had The Entertainers rehearse it briefly before Menendez’s appearance.  Later that same day, as Menendez was joined by former President Bill Clinton at Essex County College in Newark, the Tom Petty version was back on the sound system.  Menendez was 52 at the time of his re-election bid.  He was being challenged by Republican  Thomas Keane, Jr., a state senator and son of former governor and 9-11 Commission member Thomas Keane.  Menendez, the son of Cuban immigrants, had previously served as a school board member, mayor and state legislator before being elected to Congress in 1992.  In January 2006, he was appointed by New Jersey Governor Jon Corzine to fill the Senate seat vacated by Corzine to serve as Governor.  Menendez then won the seat in the general election that fall, becoming New Jersey’s first elected Hispanic senator.  In 2006, he prevailed over Keane and was re-elected to a second term.  Tom Petty’s tune, no doubt, played at his victory party.
Cover of Brooke Masters’ 2006 book on Eliot Spitzer.
Cover of Brooke Masters’ 2006 book on Eliot Spitzer.


Some “Backing Down”

     Sometimes, however, the political candidates using a particular song come to bad end — certainly, no fault of the song’s artist.  In two cases where the Petty song was used prominently in campaigns there came a bit of irony, as the candidates in these instances — both fighters in the populist mold — would unfortunately, “back down.” 

One of these fighters was the promising New York Democrat and progressive, Eliot Spitzer, who had used “I Won’t Back Down” in launching his 2006 New York gubernatorial bid and throughout that campaign. The song had played prominently in Buffalo as Spitzer launched his bid, and it was frequently heard on the campaign trail as well.

 Other Venues

     “I Won’t Back Down” has also been heard in other prominent venues, some political. During the 2000 presidential election pitting former Texas Governor George W. Bush against then Vice President Al Gore, Tom Petty and other musicians attended an election-eve gathering of supporters at Al Gore’s Vice Presidential home in Washington, where Petty performed the song for Gore and his supporters.

     Petty also played the song as part of the September 21, 2001 benefit telethon for the victims of the 9-11 terrorist attacks. Nearly 60 million people in the U.S. watched that televised special, which included celebrities such as Julia Roberts, Bruce Springsteen, Tom Hanks, and Tom Cruise. The song became something of a patriotic anthem after the 9-11 attacks.

“I Won’t Back Down” was also one of four songs Tom Petty & the Heartbreakers performed during the 2008 Super Bowl halftime show.


Spitzer, as New York Attorney General, had come on like gangbusters, taking on the powerful at every turn, even on Wall Street. And if ever there was a guy who wasn’t going to “back down,” it was Spitzer through and through, with his sights set on Washington and bigger things ahead. In November 2006, Spitzer was elected governor of New York with 69 percent of the vote, the largest margin of victory ever in a New York gubernatorial race. But alas, it was Spitzer’s personal peccadilloes and call-girl revelations that forced him to resign from office in March 2008.


John Edwards

     A somewhat similar case was that of the formerly, much-admired Democratic Presidential candidate John Edwards, who also cultivated the image of a fighter.  Edwards speeches were filled with references to fighting corporations and American revolutionaries, often urging his listeners to rise up against special interests.  Through 2007 and 2008, Tom Petty’s “I Won’t Back Down” could be heard in a repertoire of Edwards campaign songs that fit his themes and underlined his message.  In gearing up for the New Hampshire primary in August 2007, for example, Edwards spoke in the town of Hookset.  After the event, the campaign played “I Won’t Back Down” as Edwards shook hands of supporters on the way to boarding his “Fighting for One America” campaign bus. However, many months later, after the primaries had ended, Edwards’ revelations about a campaign relationship outside of his marriage helped take him out of the national political arena.


Hillary Clinton celebrates her April 2008 win in the Pennsylvania Democratic primary with Governor Ed Rendell.
Hillary Clinton celebrates her April 2008 win in the Pennsylvania Democratic primary with Governor Ed Rendell.

“Defiance” Music?

     Then comes Democratic presidential candidate Hillary Rodham Clinton during her hard-fought 2007-08 Democratic presidential primary campaign. In late April 2008, after she had won the Pennsylvania primary, but was nevertheless being urged to drop out of the race given an uphill delegate climb, she emerged at her victory party to Tom Petty’s “I Won’t Back Down.”

And again in June, after a Hillary speech in New York that was not a formal concession speech, “I Won’t Back Down” was piped out over the sound system. Was the candidate sending out a little message of defiance here? Certainly it appeared that way to a few reporters. Nothing wrong with that, of course. At least she kept them guessing for a time.

"I Won't Back Down" is also played over the ending credits of the 2008 Bush v. Gore  film, "Recount". Click for DVD.
"I Won't Back Down" is also played over the ending credits of the 2008 Bush v. Gore film, "Recount". Click for DVD.
Tom Petty’s “I Won’t Back Down” is also played, appropriately, during the ending credits for the 2008 HBO TV film, Recount, which focuses on the contentious battle at the end of the “too-close-to-call” U.S. presidential election of November 2000 between former Vice President Al Gore (D) and then former Texas Governor George W. Bush (R). That docu-drama, with Hollywood stars Kevin Spacey, Laura Dern, Denis Leary and others, revisits the bitter battle of the two sides over Florida’s determining 25 electoral votes. The film covers the messy Florida voting system and recount effort, the resulting parade of lawsuits, and the “never-give-up” efforts of the Gore camp to have all votes counted. However, the final disposition of the case came with controversial U.S. Supreme Court actions stopping a statewide recount and allowing a previous Florida vote certification to stand, giving the Bush camp Florida’s 25 electoral votes for a 271 national total, one more than the 270 required to be elected president.


Trump’s Try

On June 20th, 2020, at President Donald Trump’s Tulsa, Oklahoma campaign event – coming in the middle of the corona virus pandemic and Black Lives Matter protests – Tom Petty’s “I Won’t Back Down” song was played during the event, bringing a quick objection from the Petty family. Tom Petty had passed away in October 2017, and so his estate and family members sent a “cease and desist” order to the Trump campaign that same day to stop him from further use of the song.

2020. Donald Trump’s use of “I Won’t Back Down” brought “cease & desist” order from Petty family.
2020. Donald Trump’s use of “I Won’t Back Down” brought “cease & desist” order from Petty family.

“Trump was in no way authorized to use this song to further a campaign that leaves too many Americans and common sense behind,” said a statement issued by the Petty family the day of the event. The statement, which appeared on Twitter, and was signed by Petty’s ex-wife Jane, his widow Dana, and his daughters Adria and Annakim, continued as follows:

…Both the late Tom Petty and his family firmly stand against racism and discrimination of any kind. Tom Petty would never want a song of his used for a campaign of hate. He liked to bring people together.

Tom wrote this song for the underdog, for the common man and for EVERYONE. We want to make it clear that we believe everyone is free to vote as they like, think as they like, but the Petty family doesn’t stand for this. We believe in America, we believe in democracy. But Donald Trump isn’t representing the noble ideals of either. We would hate for fans that are marginalized by this administration to think we were complicit in this usage, Concurrently, we have issued an official cease and desist notice to the Trump campaign.

In addition to the Petty family, Benmont Tench III, a founding member of the Tom Petty and the Heartbreakers group, agreed with the family’s statement on Twitter, and also issued an Instagram post, stating: “I in no way approve of Trump even whistling any piece of music associated with our band…” Other artists have also asked Trump not to use their music, including: Neil Young, Adele, Guns N’ Roses, Pharrell, Earth, Wind & Fire, Queen, REM’s Michael Stipe, The Rolling Stones, Rihanna, and Aerosmith’s Steven Tyler.

“Tom Petty: An American Treasure,” career-spanning 4-CD box set, featuring 60 tracks. Click for CD.
“Tom Petty: An American Treasure,” career-spanning 4-CD box set, featuring 60 tracks. Click for CD.

     Political candidates come and go, of course, but the music lives on to play in many other battles. Doubtless, Tom Petty’s “I Won’t Back Down” will be heard in other campaigns to come. And that’s not a bad thing, when approved, as the nation needs inspired political participation and determined candidates — or at the very least, those who want to try. Music and politics can be a healthy mix, especially if it helps bring more folks into the political process.

     See also at this website, “Rhino Skin,” another story featuring a Tom Petty song, as well as other “music & politics” stories, including: “I’m A Dole Man” (Republican Presidential candidate Bob Dole’s use of a Sam and Dave song); “Four Dead in O-hi-o” (music about the 1970 Kent State shootings); and “Only a Pawn in Their Game” (civil rights music from Bob Dylan). See also the “Politics & Culture” category page. Thanks for visiting — and if you like what you find here, please make a donation to help support this website. Thank you. – Jack Doyle.

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Date Posted:    7 March 2009
Last Update:   22 June 2020
Comments to:  jdoyle@pophistorydig.com

Article Citation:
Jack Doyle, “I Won’t Back Down, 1989-2008,”
PopHistoryDig.com, March 7, 2009.

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Sources, Links & Additional Information

Cover of Tom Petty’s 1989 album that includes  ‘I Won’t Back Down’ track. Click for CD.
Cover of Tom Petty’s 1989 album that includes ‘I Won’t Back Down’ track. Click for CD.
Frank Bruni, “The 2000 Campaign: Campaign Notebook; A Wistful Bush Reflects On Hearth and Home,” New York Times, Friday, January 28, 2000.

Randall D. Wixen, Wixen Music Publishing, Inc., Calabasas, CA, Letter to Governor George W. Bush, Austin, TX, Re: Tom Petty/”I Won’t Back Down”, February 4, 2000.

Michael E. Toner, General Counsel, George W. Bush for President, Austin, TX, Letter to Randall D. Wixen, Wixen Music Publishing, Inc., Calabasas, CA, Re: Tom Petty/”I Won’t Back Down”, February 11, 2000.

Jake Tapper, “Don’t Do Me Like That: Tom Petty Tells George W. Bush to ‘Back Down’ From Using one of Petty’s Songs at his Events,” Salon.com, September 16, 2000.

Patrick Healy, “Democracy in Action,” New York Times, May 30, 2006.

Andrea Bernstein, “Spitzer Bus Tour Is Unofficial Campaign Kick-Off,” WNYC.org, Radio & print report, June 3, 2006.

David W. Chen, with reporting by Jonathan Miller & Nate Schweber, “As Expected, New Jersey Primaries Create Senate Race Between Kean and Menendez,” New York Times, June 7, 2006.

Cynthia Burton, “Menendez: He Has Risen Despite Defying Alliances,”Philadelphia Inquirer October 15, 2006.

“I Won’t Back Down”
Tom Petty & Jeff Lynne

Well I won’t back down,
no I won’t back down
You can stand me up at the gates of hell
But I won’t back down

Gonna stand my ground,
won’t be turned around
And I’ll keep this world from
draggin’ me down
Gonna stand my ground,
and I won’t back down

Chorus:
Hey baby, there ain’t no easy way out
Hey I will stand my ground
And I won’t back down.

Well I know what’s right,
I got just one life
In a world that keeps on
pushin’ me around
But I’ll stand my ground,
and I won’t back down

Hey baby there ain’t no easy way out
Hey I will stand my ground
And I won’t back down
No, I won’t back down
________________________
Note: song is longer than appears when full
chorus & recurring refrains are added.

Todd Jackson and Michael Sluss, “Senate Hopefuls Still Pounding the Pavement; George Allen Gets an Endorsement and James Webb Trots out Some Democrat Heavyweights,” Roanoke.com, of The Roanoke Times, November 3, 2006.

David W. Chen, “A Fight Song Comes Alive,” New York Times, November 5, 2006.

Peter Nicholas, Edwards Levels Attack on Clinton-era White House,” Los Angeles Times, August 24, 2007, p. A-12.

Adam Nagourney, “Do You Know the Words to the Edwards Fight Song?,” The Caucus Blog, New York Times, December 19, 2007.

Adam Nagourney, “On the Trail: The Edwards Playlist,”New York Times, December 20, 2007.

Sarah Wheaton, “Accompaniments; Theme Songs and Others,” New York Times, February 16, 2008

Imprint ipod Gail Collins, “Hillary’s Smackdown,” New York Times, April 24, 2008.

 Kleinheider, “That Ain’t Any Kind Of Concession Speech I Ever Heard Of,” NashvillePost.com, June 3, 2008.

“I Won’t Back Down,” SongFacts.com.

“I Won’t Back Down,”Wikipedia.org.

U.S. Senator Robert Menendez, United States Senate.

U.S. Senator Jim Webb, United States Senate.

“Eliot Spitzer,” Times Topics, New York Times.

“John Edwards,” Times Topics, New York Times.