The Pop History Dig

“Love is Strange”
1956-2007

Mickey Baker and Sylvia Vanderpool Robinson of “Mickey & Sylvia” fame, had 1957 hit,“Love is Strange.”
Mickey Baker and Sylvia Vanderpool Robinson of “Mickey & Sylvia” fame, had 1957 hit,“Love is Strange.”
     In mid-January 1957, a new song with the title “Love is Strange” by two artists known as “Mickey & Sylvia” was being heard on the radio.   This was the era prior to the modern Billboard music charts, as songs were then charted on the Best Seller list, the Jockey list, the Top 100, and/or the Juke Box list.  In any case, Mickey & Sylvia’s “Love is Strange,” in early 1957, rose into the Top 20 on all of these charts, reaching No. 11 on the Best Seller and Jockey charts and No.1 on the rhythm and blues (R&B) chart.  “Love is Strange” also became a million seller and it stayed in the Top 40 for more than three months.

     “Mickey” was Mickey Baker, a well-known “session guitarist” in music circles of that day – playing background music for other artists.  Baker, in fact, was considered the “go to” session guitar player of the 1950s and early 1960s.  He performed on dozens of rock ‘n roll hits and on many recordings.  “Sylvia” was Sylvia Vanderpool, formerly billed in her earlier singing career as “Little Sylvia” Vanderpool, who later in the 1980s became an important promoter in advancing Sugar Hill Records, a major player in the emergence of rap music.

Mickey & Sylvia’s “Love is Strange” hit song of 1957 on Groove recording label.
Mickey & Sylvia’s “Love is Strange” hit song of 1957 on Groove recording label.
     Mickey & Sylvia first formed their duo in the mid-1950s.  Baker, who then gave guitar lessons to make ends meet, teamed up with Sylvia Vanderpool, one of his students.  Sylvia later became Sylvia Robinson after she married Joe Robinson, and they would continue together in later years in the music business.  But Mickey and Sylvia first tried their hand as a duo at a Brooklyn-based record label named Rainbow where they cut a few recordings without much success.  They later signed with RCA’s Groove records.  Their first recording there, titled “No Good Lover,” which according to one report, was “a wild, upbeat, two guitar and washboard rocker.”  However, their second recording at Groove was “Love Is Strange,” the one that became a smash hit and brought them into national prominence.


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“Love is Strange” – 1957 –  Mickey & Sylvia

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     “Love is Strange” has a distinctive guitar riff to it, and was adapted by Mickey and Sylvia from “Billy’s Blues,” a Bo Diddley and Billy Stewart song.  “Love is Strange,” however, had its own unique sound and guitar licks, and would go on to influence a number of other artists and recordings in the years ahead.  The Mickey & Sylvia single was released in late November 1956.  It hit No. 1 on the rhythm and blues (R&B) singles chart in January 1957 and held that spot for two weeks.  On the other charts of that day, “Love is Strange” rose into the Top 20 and generally remained in the Top 40 for more than three months.  Mickey and Sylvia also made some TV appearances with this song, including on Dick Clark’s American Bandstand prime-time evening show in November 1957.

Cover of “Mickey & Sylvia” EP that included their 1957 charting hit, “There Oughta’ Be A Law”
Cover of “Mickey & Sylvia” EP that included their 1957 charting hit, “There Oughta’ Be A Law”
     However, after the success of “Love is Strange,” Mickey & Sylvia never quite got back to the Top 10 again, but they did have two more charting hits – “There Oughta’ Be A Law”of 1957 ( #15 R&B,# 46 Pop) and “Baby You’re So Fine of 1961 (#27 R&B, # 52 Pop).  They also played back up guitar on Ike & Tina Turner’s 1961 hit song, “It’s Gonna Work Out Fine,” which rose to No. 2 on the R&B charts.  However, the duo basically split up in 1961, but they continued to record together off and on until the mid-1960s.  They also put out an extended play disc with four of their songs under the Vik label, titled Mickey & Sylvia.  There were also recordings for other labels including Willow, Cat, Rainbow, King, RCA Victor, and RCA Camden.

     Mickey Baker – who some regard as one of the best guitarists of his day – recorded as a solo artist for a time and went to France where he found some success playing as a session guitarist.  He would also write some best-selling guitar instruction books, among them, Jazz Guitar.  Sylvia married Joe Robinson in 1964, and would co-write some songs in the 1970s.  She had a No. 3 hit with “Pillow Talk” in 1973, and would continue to hit the R& B charts with a few recordings though the late 1970s, when she also became involved in the music business.  About this time she co-founded an early rap music label named Sugar Hill and helped launch the Sugar Hill Gang rap group with its top hit of 1979, “Rappers’ Delight” (#4 R&B, #26 pop).  She would also help produce other rap groups.  But then in the 1980s came the film Dirty Dancing, bringing Mickey & Sylvia’s famous 1950s tune back on the scene.


Dirty Dancing

Patrick Swayze & Jennifer Grey in “lover boy” practice dance scene from 1987 film “Dirty Dancing” using the 1957 Mickey & Sylvia song, “Love is Strange.”
Patrick Swayze & Jennifer Grey in “lover boy” practice dance scene from 1987 film “Dirty Dancing” using the 1957 Mickey & Sylvia song, “Love is Strange.”
     “Love is Strange” had a bit of a revival in 1987 when the Patrick Swayze-Jennifer Grey film Dirty Dancing came out.  The plot line of this film involves an innocent young female nicknamed “Baby” (Jennifer Grey) from the big city who is visiting the Catskill resorts with her family.  Baby sets up the film in an early flashback:  “That was the summer of 1963 – when everybody called me Baby, and it didn’t occur to me to mind.  That was before President Kennedy was shot, before the Beatles came, when I couldn’t wait to join the Peace Corps, and I thought I’d never find a guy as great as my dad.  That was the summer we went to Kellerman’s….”

     Baby has her eyes opened early on when she happens into an “employees only” dirty dancing venue where she first sees, and soon falls for, male dance instructor hunk, “Johnny,” played by Patrick Swayze.  Opportunity soon presents itself for Baby when Swayze’s normal partner (not his girfriend) can’t perform in a major dance routine ( she’s pregnant, but not by Swayze).  The plot thickens when Baby tries to help by borrowing money for an illegal abortion for the partner from her doctor father, to whom she lies.  But it all works out in the end, with even Dad helping to save the day… Swayze and friends, meanwhile, turn to non-dancer Baby to fill the role of his pregnant partner, making Baby into a substitute dancing star.  In the process of Baby’s “up-close-and-personal” make-over and dance instruction, she and Johnny become an item.

Original 1987 "Dirty Dancing" soundtrack album, which includes Mickey & Sylvia's "Love is Strange."
Original 1987 "Dirty Dancing" soundtrack album, which includes Mickey & Sylvia's "Love is Strange."
     Dirty Dancing also happens to be filled with a great rock ‘n roll background score of 1950s and 1960s music, including songs such as  “Be My Baby,” “Do You Love Me,” “Stay,” “In the Still of the Night,” and others.  In one scene, shown above, the two dancers are practicing their routine in a sun-lit studio one afternoon to the music of Mickey & Sylvia’s “Love is Strange.”  Johnny and “Baby” by this time have become more than just friends.  As they practice, they proceed to play-act using the Mickey & Sylvia “lover boy” banter from the song, each lyp-synching their respective male and female roles to fit the song.  It is one of the film’s more playful and memorable scenes.

     Dirty Dancing became a massive box office hit at the time, and has since surpassed some $215 million in gross box office revenue worldwide as of 2010.  It also collected a variety of film and music accolades.  The film’s soundtrack was credited with starting an oldies music revival in the late 1980s.  The original Dirty Dancing soundtrack album of August 1987 had 12 songs, including “Love is Strange.”  Demand for the album caught RCA Records by surprise.  It became a colossal commercial success in the U.S., as it landed at No. 1 on the Billboard albums chart, spending 18 weeks there.  It went on to sell more than 42 million copies worldwide (later, a subsequent album, More Dirty Dancing, issued in February 1988, also sold millions of copies ).

“Love is Strange” appeared on the “B” side of the 1987 “Dirty Dancing” single, “I’ve Had The Time of Life,” by Bill Medley and Jennifer Warnes.
“Love is Strange” appeared on the “B” side of the 1987 “Dirty Dancing” single, “I’ve Had The Time of Life,” by Bill Medley and Jennifer Warnes.
     In August 1987, as part of the music frenzy around Dirty Dancing, the song “Love is Strange” was also re-issued on one side of a 45 rpm single.  It became the “B” side of the recording with Dirty Dancing’s top hit song, “The Time of My Life,” by Bill Medley and Jennifer Warnes.  This song won a 1988 Grammy Award, an Academy Award, and a Golden Globe Award.  Although “Love is Strange” didn’t have these accolades, it did “go along for the ride,” so to speak, being played and heard by millions who purchased the single.  In the U.S., “The Time of My Life” topped the Billboard Hot 100 chart in November 1987 for one week and also reached No. 1 on the Adult Contemporary chart for four weeks.  In the U.K., the song hit the Top Ten twice: once in November 1987 after the film’s initial release, peaking at No. 6, and then again in January 1991 after the film was shown on television, reaching No. 8.  There were also maxi-single editions of  “The Time of My Life” that  included the Mickey & Sylvia song.

Cover art from the 20th anniversary edition of the “Dirty Dancing” soundtrack album, 2007.
Cover art from the 20th anniversary edition of the “Dirty Dancing” soundtrack album, 2007.
     In 1989-90, RCA separately issued a Mickey & Sylvia R&B compilation CD,  Love is Strange and Other Hits.  In any case, “Love is Strange”  and the work of Mickey & Sylvia had increased exposure through the 1980s and beyond as a result of the Dirty Dancing film. 

     In addition to the singles and albums, there was also a “Dirty Dancing Tour” that ran for ten-months which was seen by some two million fans in eight countries.  This tour included, at some locations, 1960s stars such as Ronnie Spector of The Ronettes, Bill Medley of the Righteous Brothers, members of the Contours group, and others.  It’s not clear whether Mickey Baker or Sylvia Robinson did any performing or made any appearances as part of this tour.  There were also subsequent editions of the Dirty Dancing soundtrack album issued.  In October 2007, RCA re-released a 20th anniversary edition of the soundtrack with remastered versions of the original songs, plus a DVD with promotional material.  The remastered disc includes Mickey & Sylvia’s “Love is Strange.”

Cover art of Mickey & Sylvia’s “Love is Strange” from the Rainbow record label.
Cover art of Mickey & Sylvia’s “Love is Strange” from the Rainbow record label.
     Over the years, “Love is Strange” has also had a long list of famous duos covering the song.  Chubby Checker and Dee Dee Sharp covered it in 1960; Sonny and Cher in 1964; Peaches & Herb had a 1967 Top 20 hit with their cover; Paul McCartney and his former wife Linda covered it in1971; Buck Owens and Susan Raye had a Top 20 country hit with the song in 1975; and Kenny Rogers and Dolly Parton did a cover version that hit No. 21 on the country singles chart in 1990.  In addition to these, Buddy Holly did a cover that surfaced in 1969; the British group Everything but the Girl had a Top 20 hit with the song in 1992; and in 1998, a synthetic-pop band from Germany named Wolfsheim also did a cover version.  But for many, the original Mickey & Sylvia version is still the gold standard.  In 2004 “Love Is Strange” was inducted into the Grammy Hall of Fame for its influence as a rock `n roll single.

     For other stories on music at this website, please visit the Annals of Music category page, or go to the Home Page for additional story choices.  Thanks for visiting. - Jack Doyle

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Date Posted: 19 May 2011
Last Update: 11 June 2011
Comments to: jdoyle@pophistorydig.com

Article Citation:
Jack Doyle, “Love is Strange, 1956-2007,”
PopHistoryDig.com, May 19, 2011.

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Sources, Links & Additional Information

The “Rev-O-La” label has issued a 31-song retrospective of Mickey Baker songs titled: “Mickey Baker in the 1950s: Hit, Git & Split.”
The “Rev-O-La” label has issued a 31-song retrospective of Mickey Baker songs titled: “Mickey Baker in the 1950s: Hit, Git & Split.”
Sylvia Robinson shown on cover of her 1973 hit, “Pillow Talk.”
Sylvia Robinson shown on cover of her 1973 hit, “Pillow Talk.”

“Mickey and Sylvia,” in Holly George-Warren and Patricia Romanowski (eds), The Rolling Stone Encyclopedia of Rock & Roll, Rolling Stone Press, New York, 3rd Edition, 2001, pp. 646-647.

Joel Whitburn, “Mickey and Sylvia,” The Billboard Book of Top 40 Hits, 8th Edition, Billboard Books: New York, p. 424.

“Love Is Strange,” Wikipedia.org.

“Mickey ‘Guitar’ Baker,” TheHoundBlog, January 9, 2008.

Richie Unterberger, “Biography, Mickey & Sylvia,” AllMusic.com.

“Mickey & Sylvia,” Biography, iTunes

“Sylvia Robinson,” Wikipedia.org.

Ed Hogan,” ‘Little’ Sylvia Robinson Biography,” The Roots of R&B.

“Mickey & Sylvia Record Label Shots,” ColorRadio.com.

Samuel G. Freedman, “‘Dirty Dancing’ Rocks to an Innocent Beat,” New York Times, August 16, 1987, p. A-19.

“(I’ve Had) The Time of My Life,” Wikipedia,org.

Vincent Canby, “Film: ‘Dirty Dancing,’ A Catskills Romance in 1963,” New York Times, August 21, 1987.

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“Do You Love Me?”
1962 & 1988

2003 Motown CD showing the 1960s' group, The Contours.
2003 Motown CD showing the 1960s' group, The Contours.
      It was early summer 1962.  Berry Gordy, Jr., of Motown Records was in a swivet.  He was itching to record a new piece of music he was sure would be a hit record.  The name of the song was “Do You Love Me?,” a jumpy dance tune that Gordy thought would be perfect for The Temptations, a new singing group destined to become one of Motown’s top performers.  At the time, the Temptations had no hit records,  but Gordy believed his new song would be just the ticket to send them on their way.  So on that day he was on a frantic search to find the group to record the song.  But the Temptations couldn’t be found; they were out working a gospel review.  It happened, however, that Gordy ran into another group of Motown artists in the hallways of his studio; a group called The Contours, the group that finally recorded the song.

     “Do You Love Me?” became a major 1962 hit single for The Contours on Motown’s “Gordy” record label, with Berry Gordy writing and producing the song.  The Contours then consisted of singers Billy Gordon, Hubert Johnson, Billy Hoggs, Joe Billingslea, Sylvester Potts, and guitarist Hugh Davis.  The group had recorded and released two previous singles – “Whole Lotta’ Woman” and “The Stretch” – but neither had charted.  In fact, the Contours were then in danger of being dropped from the label, until that afternoon when fate smiled upon them.

Original Gordy record label 45 rpm recording of 'Do You Love Me?,' first issued in June 1962.
Original Gordy record label 45 rpm recording of 'Do You Love Me?,' first issued in June 1962.
      “Do You Love Me?,” released in late June 1962, peaked at No. 3 on the Billboard pop singles chart, and was No. 1 on the Billboard R&B singles chart.  An album titled, Do You Love Me? (Now That I Can Dance), was also released in October 1962 – the first album ever released on the Gordy Records label.  The single sold over 1 million copies and the album had respectable sales as well.  

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“Do You Love Me?”

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     “Do You Love Me?” was also covered in the U.K. by a group named Brian Poole and the Tremeloes and went No. 1 there for three weeks in October 1963.  The Dave Clark Five also did a version of the song in 1964 that went to No. 11 in the U.S.  The Contours, meanwhile, became a headlining act for Motown and were part of the first Motor Town Revue tour. Although no other Top 40 hits materialized for the Contours on the pop charts, they did turn out several other successful dance tunes that rose into the R&B Top 40, including, “Shake Sherry”(1962), “First I Look at The Purse” (1965), and “Just A Little Misunderstanding” (1966), among others.  By 1967, the group’s seven-year contract with Motown had expired.  A year later, after the Contours’ lead singer Dennis Edwards was asked to replace the departed David Ruffin of The Temptations, The Contours disbanded.


Dirty Dancing

Cover of 1988's 'More Dirty Dancing' CD, which includes the Contours' original 1962 hit song 'Do You Love Me?,' which hit the 'Billboard Hot 100' for a second time in 1988.
Cover of 1988's 'More Dirty Dancing' CD, which includes the Contours' original 1962 hit song 'Do You Love Me?,' which hit the 'Billboard Hot 100' for a second time in 1988.
      But then, more than 25 years later, lightning struck again.  In 1987 came the movie, Dirty Dancing, starring Patrick Swayze and Jennifer Grey, which included a memorable dance scene backed by the Contours’ original “Do You Love Me?” song.  The film’s soundtrack of 1960s music became wildly successful, and was soon issued in multiple editions, most of which include “Do You Love Me?”.  In fact, in 1988, with the release of a follow-up soundtrack album entitled More Dirty Dancing, “Do You Love Me?” became a pop hit for a second time.  By July 1988 the song, which was also re-issued as a single, peaked at No. 11 on the Billboard Hot 100.  It remained on the chart for eight weeks.  The Contours — by then comprised of Joe Billingslea and three new members — joined other 1960s stars, including Ronnie Spector of The Ronettes, Bill Medley of the Righteous Brothers and others, on a “Dirty Dancing Tour.”  That tour ran for ten-months, entertaining over two million fans in eight countries.  Two subsequent CDs – 1989 Dirty Dancing Live In Concert and 1998′s Great Dirty Dancing Hits — also included “Do You Love Me” and other Contours songs, as well as those of other artists.  Dirty Dancing soundtracks have sold more than 30 million units worldwide.  As the Contours put it on their web site, “Dirty Dancing has been very good to [us].”  In recent years, the surviving and replenished Contours have continued to perform in the U.S. and abroad.

     Meanwhile, on the web, the Contours’ “Do You Love Me?” has shown up in a range of uses as background music – from Disney animations to one creative Happy Feet adaptation.

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Date Posted:   28 July 2008
Last Update:   28 January 2010
Comments to:  jdoyle@pophistorydig.com

Article Citation:
Jack Doyle, “Do You Love Me?, 1962 & 1988,”
PopHistoryDig.com, July 28, 2008.

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Sources, Links & Additional Information

“The Contours,” in Holly George-Warren and Patricia Romanowski (eds), The Rolling Stone Encyclopedia of Rock & Roll, Rolling Stone Press, New York, 3rd Edition, 2001, p. 206.

“The Contours,” “Do You Love Me”, and “Do You Love Me (Now That I Can Dance)”, Wikipedia. org.

“The Contours, 20th Century Masters: Millennium Collection,” Amapedia.Amazon.com.

For more detail on the history of The Contours see Joe Billingslea & The Contours.

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